Compositions​

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  • Choral for four voices choir based in a poem of Antonio Machado. (1989)
  • Andante and Allegro for Piano. (1991)
  • Prelude for piano. (1992)
  • Baroque Suite for Cello and Viola. (Buenos Aires, 1992)
  • Waltz and Fantasia for piano. (Buenos Aires, 1993)
  • “Las Brujitas.” Wind Trio for Flute, Clarinet and Bassoon. (Performed at The University of Missouri Kansas City, 1997).
  • Gallop for Elementary String orchestra (Premiered and conducted by composer at the “All City Festival” in Kansas-City Missouri, 1999).
  • Slow Waltz for Middle school String orchestra (Premiered and conducted by composer at the “All City Festival”, Kansas City Missouri, 2000).
  • Tango for orchestra. (Performed at The University of Missouri-Kansas City, 1999)
  • String Quartet #1: “Tango remembrance” (Performed at The University of Missouri Kansas- City, 1999).
  • Brass Quintet: “Humanistic Chorale” (Performed at University of New York at Rochester, 2000).
  • Musica Ciudadana: Septet for Saxophone, Clarinet, Horn, two Violins, Viola, and Cello. (2000)
  • The Inner Journey. Piece for Cello and percussion ensemble (2001)
  • Symphony #1: “Ludus Nagualis”. (To the memory of my beloved sister Marisa) Performed at The University of Missouri-Kansas City, (Kansas-City 2002)

Concert Cellist

Publications and Compositions

​​MARCELO ZIGARAN

Articles and Lectures

  • Music, Sublimation and the Body, presented at Austin Psychoanalytic Society, Austin Texas, 2015.
  • Sublimation in Freud and Lacan: tensions and intersections with Music. Houston Center of Psychoanalytic Studies
  • La Música, la Danza, bajo las coordenadas  del psicoanálisis. Universidad de Querétaro México, 2014.
  • La Música y la Teoría de la Comunicación desde el psicoanálisis  lacaniano, Universidad de Ciencias de la comunicación, México City, 2014.
  • About Music, Sublimation and The Sublime, Universidad Einstein, Mexico 2014.
  • La Sublimación y el sujeto Musicante, Universidad Católica, Buenos Aires, 2013
  • Quienes somos cuando hacemos música? Música Clásica y Músicos, Buenos Aires, Argentina, 2013.
  • El Sujeto Musicante y la Nota Azul. V Congreso Internacional de Musicología, Sima-Cima, Universidad de México, 2012
  • “La Nota Azul”: Carbajal Educación Editorial, Puerto Rico, USA, Universidad de Educación Musical, 2012.
  • “Music as an Expression of a Drive” American Psychoanalytic Association, New York City, 2012.
  • “El Poder de la Música” Música Clásica y Músicos, Buenos Aires, Argentina, 2011
  • “La identidad musical y el psicoanálisis:” IV Congreso Internacional de Musicología, Sima-Cima, Universidad de México, 2010.
  • “El Acontecimiento Musical”  Música Clásica y Músicos, Buenos Aires, Argentina, 2010
  • “La Nota Azul”. Paginas Musicales, Buenos Aires, Argentina, 2009
  • “La Música: ese Otro que nos habla”. Claves Musicales, July 2009.


 





 


BOOK


Powers of Music: about Music and Meaning.

VDM Verlag, Fracfurt, Germany, 2009

  (Published in Germany and USA).

PAPERS AVAILABLE:


  • ​​About Music, Sublimation and The Sublime, Universidad Einstein, Mexico 2014.

  • La Sublimación y el sujeto Musicante, Universidad Católica, Buenos Aires, 2013.

  • Quienes somos cuando hacemos música? Música Clásica y Músicos, Buenos Aires, Argentina, 2013.
    ​
  • El Sujeto Musicante y la Nota Azul. V Congreso Internacional de Musicología, Sima-Cima, Universidad de México, 2012
  • Lacanian Psychoanalysis: Psychosis and topology, buenos Aires, 2019.
  • The Blue Note, New York 2012.